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From the very first minutes, I was challenged by the filming method and representation of time. The shaky camera, much like the relationship between Cornelia and her son Barbu, the way it had to follow the action, the fact of wanting to be as close as possible to reality by representing the time in real-time. 

It is a contradictory mixture of ellipses and actions shown in their continuity. I was touched by the loneliness of this woman, and her desire to control everything. This is what made her a powerful and intriguing character. This created her strength and her limit, since this is what stifles her son, and which will allow her to face him, therefore creating links. In this short movie, I purposely wanted to leave the character in her loneliness. Through the fictional aspect, I wanted to keep the idea of following the character with the camera.

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